FUTR 6132S: FUTURES RESEARCH METHODS II

Summer Residential Intensive Masters Program
Dr. Wendy L. Schultz
Infinite Futures

OTHER MODULES:
intro/overview | creativity | facilitation
scenario identification and analysis |
scenario building
visions and visioning
strategic planning and change management
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COURSE MODULE: scenario identification and analysis ^>~<! ^>~<! ^>~<! ^>~<! NOTES by Stuart Forsyth
    SCENARIOS are IMAGES OF POSSIBLE ALTERNATIVE FUTURES
  • Become aware of what is out there
  • Create a system for classifying and analyzing them
  • [see handout]
  • People's perceptions of futures as positive or negative are completely subjective and relative
  • What sort of questions would you consistently ask in order usefully to compare different images of the future?

    EXAMPLE IMAGES of the FUTURE / SCENARIOS from MOVIES and TELEVISION:
    The cityscape from Metropolis by Fritz Lang
  • Metropolis filmed in 1926
  • Originally a silent film
  • Re-released with a sound track
  • Fritz Lang was inspired by the skyline of Manhattan
  • 37,000 people in the cast
  • $2 million to film in 1926!
  • An historical image of the future
  • He was visioning ahead to 1965
  • Magnificent city based on incredible poverty in use of middle and lower classes as slaves
  • Typical have/have not story
  • Hilter and Goebbels loved this film
  • They wanted Fritz Lang to make movies for the Third Reich; he fled to Hollywood
  • To him this city was a wonderful image of the future
  • The workers live below the ground
  • Has a robot that incites the workers to revolt
    Strange Days
  • Murder mystery with political overtones
  • Plot twist revolves around a new technology
  • A recording device that allows memories to be recorded by one person and played back by another with all sensory perception
  • It is addictive
  • Set at the turn of the new Millennium
  • Riots
  • The one technology change creates a whole set of new issues for society to deal with
  • Gives rise to a lot of social changes
  • Politics
  • Crime
  • Art
  • Could people edit their memories
  • Basically, an implied image of the future
  • Provocative
  • Not very explicit
  • Cf. Brainstorm
    GATTACA:
  • Genetic engineering
  • Very detailed
  • Extrapolates one trend
  • Very well fleshed out
  • Exploring this one particular social issue
  • How easily it would be for society to fall into genetic engineering of all children
  • Genetic counseling scene
  • Select the most compatible candidate
  • Gender
  • Eyes, hair & skin
  • "Give your child the best possible start."
  • "This child is still you, simply the best of you."
  • Children could sue their parents for wrongful birth for failing to optimize them
  • Italian scientist plans to do human cloning
  • There are 400,000 risk factors in the genome
  • Needs a breakthrough in theoretical mathematics to actually do it
  • British House of Lords just approved limited embryo cloning
  • We are on the road to this scenario Deep Impact
  • She makes up with her father, just before they die
  • Cf. Armageddon
    Zardoz
  • Made in the 1960s
  • Post-apocalyptic future
  • The Vortex vs. the Outlands
  • Set in 2293
  • Viewpoint = Zed's (Sean Connery)
  • Societal level of analysis
  • Comparison of the outlands vs. the Vortex
  • Image of a high tech green future
  • A transcendent or transformative vision
  • Zed undoes the Vortex and brings the new technology to all humanity
  • The horrors of living to the Vortex
  • Technologies
  • Antigravity
  • Antiaging
  • To what extent is the past included in the image of the future?
  • A small chunk of humanity has progressed, technologically
  • The bulk of society has regressed to a nomadic society
  • Zardoz got its name from "the Wizard of Oz"
  • Familiar objects in the houses
  • Spelling was more phonetic
  • The Vortexes were small bubbles scattered about the planet
    Johnny Mnemonic
  • William Gibson coined the term "cyberspace"
  • Corporations opposed by the Lo-Teks
  • Set in 2021
  • Johnny is articulating the scenario
  • Promoting the outclasses (Lo-Teks)
  • Interest-group focused
  • Haves (corporate)
  • Have nots (Lo-Teks)
  • News broadcast and the advertisements within them
  • Explains history
  • Sets the context
  • Cf. Robo Cop
  • Familiar technologies
  • Elevators
  • Alarm clocks
  • Taxi cab
  • Helicopters
  • Remote control
  • Technical expertise in Japan (not Mexico)
  • New technologies
  • Memory upgrade
  • TV was telephone as well
  • Microfilament garrote
  • Memory input
  • Body augmentation
  • We are our tools
  • Technology is embedded in people
  • God is embedded in technology
  • The Internet becomes smart: artificial intelligence
  • This is a short story from the book, Burning Chrome, by William Gibson
  • Gibson takes familiar technologies and incorporates them in his transformative futures
  • Incredible amount of very specific detail
  • Detail is important
  • This approach increases our comfort in grappling with the new by providing aspects of the familiar
  • Acceptability (plausibility)
  • Focus of those things that have been changed
  • The chip implant came at the cost of memories of his childhood

    Plausibility:

  • We need to be careful with our clients
  • When we are playing, we can stretch further
  • Two kinds of transformation:
    • Spiritual
    • Technological
  • Jim Dator is very interested in transformational futures;
  • he focusses less on plausibility as a mark of quality in a scenario --
  • You can be as transformative as you want as long as it is internally consistent
  • What is the purpose of the scenario you are preparing?
  • Futurists are often:
    • Overzealous in predicting what will change in the short term
    • Underestimate what will happen in 50 years
    DISCUSSION OF READINGS
    "Afterword" from Earth, by David Brin
  • The words to describe inventions are from the language of the inventors
  • Change the language to convey changes that have occurred in the future
  • "The door 'irised' open."
    "Escape Routes" from The Language of the Night, by Ursula K. Le Guin
  • She condemned escapism
  • This was written in the mid-1970s, at the time of renaissance of science fiction
  • The author
  • Our context drives how we think and what we do
  • K stands for Kroeber, both of whom were anthropologists
  • They had high academic standards
  • She is defending science fiction as serious literature
  • Futurists get accused of the same thing
  • This is entertaining, but what's the point
  • Science fiction offers literature the opportunity to face an open universe (p. 207)
  • Sturgeon's Law
    • Critic: "95% of science fiction is shit."
    • Sturgeon: "But 95% of everything is shit."
  • Escapism
  • She overlooked the value of it
  • Escapism allows the average person to envision
  • Escapism encourages a freer mindset
  • Scenarios help us to articulate our values
  • Take a big picture view
  • Suggestions for improving science fiction
  • Intellectual coherence
  • Scientific plausibility
  • Stylistic competence
  • Different roots
  • US is fascinated with technology and the frontier spirit
  • Europe is fascinated with political and social impact
  • Cf. Artistic corollaries between what science fiction artists drew 20 years before NASA created things
  • Art can precede technology
  • Science fiction was a source of creativity
  • Read the nominees for
    • Hugo awards
    • Nebula awards
    "The Futurist Tells Stories" by Donald N. Michael
  • Suggests criteria for good scenarios
BRAINSTORMING CRITERIA FOR COMPARING DIFFERENT IMAGES OF THE FUTURE; RESULTS:
  • Brainstorm ideas to help you create a critical framework in order to complete assignment one, which asks you to analyze three different scenarios.
  • Think about how you want to compare them;
  • What is important in comparing different images of the future?
  • Creat a comparative framework that could be used for images of the future in many different media.
Ideas generated by class:
  • Which characters are the primary stakeholders?
  • What message(s) is the image trying to convey about our present?
    What is the social scale?
    • Individual
    • Group
    • Society
  • How does the image portray society, as we know it?
  • Which class takes social precedence in this image?
  • What pieces would have to fall into place for this to happen?
  • What key things are required for this image to become a reality?
  • How widely usable is the scenario?
  • How similar/different is it from the present?
  • What aspects intersect?
  • What is ambiguous?
  • What is women's position in the image?
  • Historical links: when is this future taking place?
  • Are the characters in the image plausible?
  • What is familiar?
  • What laws of science are broken?
  • Is there a connection to the present?
Values:
  • Is it fundamentally hopeful or a warning?
  • Who wins and won loses?
  • What values are embodied in the image?
  • Which do you prefer?
  • What has been gained vs. what has been lost?
  • How many clients could the image benefit or impact?
  • What companies or special interest groups?
  • Who has the most fun?
Scenario details:
  • To what extent does image cover changes across all the STEEP categories?
  • What are the communication and transportation technologies?
  • What is the mainstream of educational tools?
  • Is the environment green or safe?
  • How will the environment be impacted?
  • Which image is most plausible?
  • Is there any type of underground activity?
  • How ethnically diverse is the image?
Content comparisons:
  • Where are the images in conflict?
  • Overall, how detailed is the image?
  • What is the theme/focus of the image?
  • What type of transformational change overall (technological or psychological)?
Other viewpoints and points of comparison:
  • Origin
  • Where?
  • Who created it?
  • Why did they do it (agenda/purpose)?
  • Who is the intended audience?
  • When was it created?
  • Where was it created?
  • How was it created (what method)?
  • In what language was it created?
  • Who paid for it?
  • Medium: how was it expressed?
    • Movie
    • Book
    • Advertisement
    • Screenplay
    • Poetry
    • Music
    • Crossword puzzles
    • Pamphlets
    • Theater
    • PowerPoint
    • List of phrases
    • Report
    • Mathematics
    • Style
    • Comedy
    • Drama
From these questions and ideas -- and those that you raise yourself --
create a critical framework that you will use whenever you run into a scenario of the future.

 

    NEXT MODULE:
    Ten different examples of scenario building techniques;
    give a five minute presentation on them
    (also can be used for one of your scenarios; they are examples of different methods):

    • Global Business Network on education
    • Wired scenario re plague
    • Health futures in England
    • Hawaii Office of State Planning
    • SRI corporate planning
    • Hanapepe Community Study
    • Demos scenario building
    • Seven Tomorrows by Hawkins
    • Beyond the Limits
    From quantitative, through structured to artistic/inspirational